This website contains a number of public resources as well as our members resources. IVSA members can submit content to the site from the members area.
I present the installation Geographies of the Imagination, an arts-based ethnography about long-term exile, as a form of public ethnography that unveils the acquisition and transmission of ethnographic knowledge as interactive, emergent, and creative.
Advertisements are important social and cultural documents. A representative sample often reflects a society’s concerns and values as accurately as well-executed surveys do. But how is this possible? How could images designed by people who don’t know, or haven’t talked to, us — and who are completely self-interested to boot – possibly reflect our innermost thoughts and feelings? Figuring out how exercises in persuasion by self-interested advertisers somehow manage to create reliable indicators of public sentiment has puzzled social scientists for a long time. Fortunately, it looks like the new social media may provide a key to solving that puzzle.
In this book I bring together visual work on urban communities that I had been doing long before I had even heard of Visual Sociology, as well as after my encounters with the International Visual Sociology Association. As John Grady might have phrased it — almost 50 years of doing urban sociology visually.
On the first Friday of every month the American Media goes nuts! What they do is as predictable as clock work and just about as insightful. Their exercise in panic wouldn’t be such a big deal except that it tends to freak out Wall Street and unnecessarily confuses the American public.
The IVSA is governed by its Executive Board, which consists of President, Vice-President, Secretary-Treasurer, Technology Advisor, Visual Studies Editor, Student Board Member and nine elected Board Members. The Secretary-Treasurer, Editor and Technology Advisor are nominated by the President and ratified by the Executive Board.