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The International Visual Sociology Association (IVSA) promotes the study, production, and use of imagery, visual data, and visually-oriented materials in teaching, research, and applied activities. In 2026, as IVSA marks 40 years as a truly international association, we celebrate four decades of innovation, collaboration, and visual scholarship through a global programme of anniversary events and activities.

Anniversary Activities More about the IVSA

Image credit: The ViSE Lab at Rutgers University

Visual Sociology

Unveiling Social Realities through the Lens of Images

Visual sociology is a branch of sociology that examines and interprets social phenomena through visual materials like photos, films, and images. It employs visual research methods to gain insights into social issues, identities, and relationships, emphasizing the role of visuals in conveying social meanings and power dynamics.

Call for Papers

Workshop: Affective Visuality – Emotion in Visual Research
Alicante, Spain
Deadline Sept 15
Aimed at researchers, teachers, students and people interested in Visual Sociology, Sociology of Emotions, and studies on images, bodies, affects and sensibilities, as well as visual methodologies of social research.
(Link below, scroll down on page for submission form.)

Join the IVSA

Become a member of our visual community today
The International Visual Sociology Association (IVSA) is a nonprofit, democratic, and academically oriented professional organization devoted to the visual study of society, culture, and social relationships. IVSA membership is open to any person regardless of occupation, citizenship, or residence.

IVSA Anniversary Events

Find more of our celebrations and events
In 2026, the International Visual Sociology Association (IVSA) celebrates 40 years of advancing visual research, scholarship, and creative practice. Across the globe, members and partners will host exhibitions, film festivals, workshops, and collaborative events that reflect the depth and diversity of visual sociology today.

Visual Studies

THE JOURNAL OF THE INTERNATIONAL VISUAL SOCIOLOGY ASSOCIATION

Visual Studies is a is a leading international peer-reviewed journal published on behalf of the International Visual Sociology Association. The journal publishes visually-oriented articles across a range of disciplines, and represents a long-standing commitment to empirical visual research, studies of visual and material culture, the development of visual research methods and the exploration of visual means of communication about social and cultural worlds.

IVSA members receive a one-year subscription to Visual Studies as part of their membership. This one year subscription contains five issues of the journal, beginning with the first issue published after membership is initiated or renewed.

Our Next Conference

2027 IVSA Conference: Cardiff, Wales, UK

Venue: University of South Wales and the Royal Welsh College of Music and Drama
Conference dates: Wednesday June 30th – Saturday July 3rd 2027

We’re delighted to announce the IVSA Conference 2027, taking place in Cardiff from Wednesday 30 June to Saturday 3 July. Hosted by the University of South Wales and the Royal Welsh College of Music and Drama, this year’s conference brings together scholars, artists, and practitioners from around the world to explore A Dance of Perception – the symbiosis between image and sound, inviting rich, interdisciplinary conversations across visual sociology, sound, culture, and social life.

2027 IVSA Conference: Cardiff, Wales, UK
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We invite practitioners, artists and scholars from around the world to contribute to the 2027 IVSA Conference, A Dance of Perception: The Symbiosis of Image and Sound. Submissions should explore how image and sound intertwine to shape meaning, emotion, identity, memory and our understanding of social life, drawing on diverse disciplinary, methodological and cultural perspectives. Proposals are welcomed for papers, workshops, posters, exhibition installations and films, with participation from practice-led and early career researchers particularly encouraged. Read the full Call for Submissions for details of the conference themes, submission formats, requirements and key dates.

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Just a quick update on the IVSA’s program of 40th anniversary activities over the coming months. So far this year, with the support of the IVSA, our members have hosted anniversary activities across Europe, Asia, North and South America. Together, these activities showcase the global reach of the IVSA and the continuing evolution of visual research as a vital, interdisciplinary field. We hope that there is an upcoming anniversary activity near you that you are able to attend!

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“Is it possible to predict what will happen in the future?” Street art as socially engaged art. Reality 2020 – photos taken in 2012 on Chmielna Street in Warsaw. The artist of the posters is unknown.

  • Every photograph promises more than it delivers and delivers more than it intended.

    Steve Harp
  • Before I became a film major, I was very heavily into social science, I had done a lot of sociology, anthropology, and I was playing in what I call social psychology, which is sort of an offshoot of anthropology/sociology - looking at a culture as a living organism, why it does what it does.

    George Lucas
  • One advantage of photography is that it's visual and can transcend language.

    Lisa Kristine
  • Sometimes one picture is equal to 30 pages of discourse, just as there are things images are completely incapable of communicating.

    William S. Burroughs
  • For any picture, ask yourself what question or questions it might be answering. Since the picture could answer many, questions, we can decide what question we are interested in.

    Howard Becker
  • I believe that we face incredible obstacles in our attempts to see the world. Everything in our nature tries to deny the world around us; to refabricate it in our own image; to reinvent it for our own benefit. And so, it becomes something of a challenge, a task, to recover (or at least attempt to recover) the real world despite all the impediments to that end.

    Errol Morris
  • Reality changes; in order to represent it, modes of representation must change.

    Bertolt Brecht
  • We never really know what's around the corner when we're filming - what turn a story will take, what a character will do or say to surprise us, how the events in the world will impact our story.

    Barbara Kopple
  • Visual culture is now the study of how to understand change in a world too enormous to see but vital to imagine.

    Nicholas Mirzoeff
  • You try your hardest to give people their space, but at moments you know you’re capturing their image in ways they may or may not be okay with. It’s that rocking back and forth between respect and betrayal that I feel like is at the heart of the film.

    Kirsten Johnson
  • Watching a documentary with people hacking their way through some polar wasteland is merely a visual. Actually trying to deal with cold that can literally kill you is quite a different thing.

    Henry Rollins
  • The function of sociology, as of every science, is to reveal that which is hidden.

    Pierre Bourdieu
  • Photography is the art of observation. It has little to do with the things you see and everything to do with the way you see them.

    Elliot Erwitt
  • The task for sociology is to come to the help of the individual. We have to be in service of freedom. It is something we have lost sight of.

    Zygmunt Bauman
  • So it is my firm belief, that if you want nowadays, to have a clear and distinct communication of your concepts, you have to use synthetic images, no longer words.

    Vilém Flusser
  • The more you know the more you see, but the converse is also true, the more you see the more you know.

    Aldous Huxley
  • If it's far away, it's news, but if it's close at home, it's sociology.

    James Reston
  • There are dignified stupidities, and there are heroic stupidities, and there is such a thing as stupid stupidities, and that would be a stupid stupidity not to have a camera on board.

    Werner Herzog
  • If you want to tell the untold stories, if you want to give voice to the voiceless, you've got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you're dumb and blind.

    Salman Rushdie
  • Photographers learn to interpret photographs in that technical way because they want to understand and use that ‘language’ themselves (just as musicians learn a more technical musical language than the layman needs). Social scientists who want to work with visual materials will have to learn to approach them in this more studious and time-consuming way

    Howard Becker
  • The camera is an instrument that teaches people how to see without a camera.

    Dorothea Lange
  • Give us adequate images. We lack adequate images. Our civilization does not have adequate images. And I think a civilization is doomed or is going to die out like dinosaurs if it doesn't develop an adequate language for adequate images.

    Werner Herzog
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