Wardens Gardens

Inspired by studies of historical memory, its transmission and, in particular, the legacy of the Gulag, aspects of the spread of prison culture throughout the body of the former Soviet Union, the authors of the movie decided to see how this history was interpreted in Georgia.

70/70

This is a multimedia project featuring 70 profiles of Newfoundlanders and Labradorians 70 years after Newfoundland an dLabrador became a province of Canada. The profiles reflect demographic, geographic and, to some extend, occupational distribution of the population. This is an on-going series modelled on the concept of photo-roman- and engaging form of story telling combining still photographs and sound and voice.

Although there are many ways that neighborhoods such as my own, often described as Super-, or otherwise Gentrified (Halasz 2018). the fact remains that many of its residents fall on the liberal and left-leaning spectrum of American politics. It is also a place that has been an area accurately described as exhibiting Super Diversity (Vertovec 2007). Although the area is “diverse,” People of Color, mostly a diverse collection of Latino residents, tend to dominate in sections that are slowly undergoing displacement pressures as the rapid construction of high-rise “luxury” apartments continues unabated by the COVID-19 pandemic.

A Long Way back (2021)

” You can be free in prison and imprisoned while free”

Description: The protagonists of this film have spent their lives searching for freedom, while at the same time escaping loneliness. The choices they made each time led them to new trials, and life punished them again and again. They come into conflict with the law, their parents turn their backs on them, their partners abandon them, but they carry on with their lives without really knowing where to or what for. The stories of their lives are similar and at the same time the path of each was different. What does it mean to live properly, to be “like everyone else”, not to fall by the wayside, how to find the one and those who need you? The heroes of the film were at death’s door, they started from zero, fell to the bottom, spent many years behind bars… At some point they found out about a religious community whose ministers help people who are in a difficult life situation. And now the heroes of the film, in their opinion, are on their way to long-awaited freedom. This longed-for freedom has already taken a lot away – time, youth, health, friends.

  • Photographers learn to interpret photographs in that technical way because they want to understand and use that ‘language’ themselves (just as musicians learn a more technical musical language than the layman needs). Social scientists who want to work with visual materials will have to learn to approach them in this more studious and time-consuming way

    Howard Becker

  • Before I became a film major, I was very heavily into social science, I had done a lot of sociology, anthropology, and I was playing in what I call social psychology, which is sort of an offshoot of anthropology/sociology – looking at a culture as a living organism, why it does what it does.

    George Lucas

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    For any picture, ask yourself what question or questions it might be answering. Since the picture could answer many, questions, we can decide what question we are interested in.

    Howard Becker

  • I believe that we face incredible obstacles in our attempts to see the world. Everything in our nature tries to deny the world around us; to refabricate it in our own image; to reinvent it for our own benefit. And so, it becomes something of a challenge, a task, to recover (or at least attempt to recover) the real world despite all the impediments to that end.

    Errol Morris

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    If it’s far away, it’s news, but if it’s close at home, it’s sociology.

    James Reston

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    Every photograph promises more than it delivers and delivers more than it intended.

    Steve Harp

  • You try your hardest to give people their space, but at moments you know you’re capturing their image in ways they may or may not be okay with. It’s that rocking back and forth between respect and betrayal that I feel like is at the heart of the film.

    Kirsten Johnson

  • Watching a documentary with people hacking their way through some polar wasteland is merely a visual. Actually trying to deal with cold that can literally kill you is quite a different thing.

    Henry Rollins

  • If you want to tell the untold stories, if you want to give voice to the voiceless, you’ve got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you’re dumb and blind.

    Salman Rushdie

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    Sometimes one picture is equal to 30 pages of discourse, just as there are things images are completely incapable of communicating.

    William S. Burroughs

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    Reality changes; in order to represent it, modes of representation must change.

    Bertolt Brecht

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    There are dignified stupidities, and there are heroic stupidities, and there is such a thing as stupid stupidities, and that would be a stupid stupidity not to have a camera on board.

    Werner Herzog

  • So it is my firm belief, that if you want nowadays, to have a clear and distinct communication of your concepts, you have to use synthetic images, no longer words.

    Vilém Flusser

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    The task for sociology is to come to the help of the individual. We have to be in service of freedom. It is something we have lost sight of.

    Zygmunt Bauman

  • Give us adequate images. We lack adequate images. Our civilization does not have adequate images. And I think a civilization is doomed or is going to die out like dinosaurs if it doesn’t develop an adequate language for adequate images.

    Werner Herzog

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    Visual culture is now the study of how to understand change in a world too enormous to see but vital to imagine.

    Nicholas Mirzoeff

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    The function of sociology, as of every science, is to reveal that which is hidden.

    Pierre Bourdieu

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    One advantage of photography is that it’s visual and can transcend language.

    Lisa Kristine

  • We never really know what’s around the corner when we’re filming – what turn a story will take, what a character will do or say to surprise us, how the events in the world will impact our story.

    Barbara Kopple

#Visualsociology

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