Lydia Nakashima Degarrod

Atlas of Dreams

I created the installation Atlas of Dreams, a series of artistic maps and audio recordings, to portray the emotional traces left by 145 dreamers when they narrated their memorable dreams in the cities of the Bay Area of San Francisco.

Youth of Mahachkala

Youth of Mahachkala

This film was made in frames of the sociological research project (Russian Scientific Foundation) “Fields of positive interethnic interactions and youth cultural scenes in the Russian cities”.

Untitled Study of NYC Streets

The way a city looks is, on any given day, both summation and confluence of hundreds of decisions made in the years and decades that preceded it. Across the history of photography, numerous photographers have taken it upon themselves to record the version of the city they experience with the understanding that the the presence of the landscape they take for granted is fleeting and vulnerable to choices made by government officials, developers, business interests, and even city residents who inhabit the sidewalk.

Che

The speed of a Dream

“Te yo taln ten nanatil lux cuxul sol xchulel ten lumaltic" (1)

In the misty, inhospitable mountains of Chiapas Mexico, the Zapatista rebel army continues to defend its territory from attack. But the government imposed media silence means that no news of their activities, or evidence of their existence reaches the outside world: a strategic cultivation of amnesia. Knowing that if they are forgotten, they will be massacred, the Ejercito Zapatista de Liberacion Nacional (EZLN) or Zapatista National Liberation Army has organized activities to invite researchers, students, artists and activists from around the world to apply for one of their escuelitas (schools of life). Being accepted means an invitation to come and live briefly in the communities but (unlike much ethnographic work) here the community itself sets the agenda and terms, date of entry and departure and all the activities in between.

Painting a Voice

“Graffiti represents (wo)man’s desire to communicate.” [1]

The photograph of a young, female graffiti artist next to a piece of graffiti that reads “Breast Cancer Awareness” is a reflection of a community longing to be heard. The history of breast cancer is one of shame and silence. Although many cases of breast cancer are documented throughout history, it was not until the 20th-century social movements concerning breast cancer that the majority of the public became aware of the severity of this disease.

  • So it is my firm belief, that if you want nowadays, to have a clear and distinct communication of your concepts, you have to use synthetic images, no longer words.

    Vilém Flusser

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    There are dignified stupidities, and there are heroic stupidities, and there is such a thing as stupid stupidities, and that would be a stupid stupidity not to have a camera on board.

    Werner Herzog

  • You try your hardest to give people their space, but at moments you know you’re capturing their image in ways they may or may not be okay with. It’s that rocking back and forth between respect and betrayal that I feel like is at the heart of the film.

    Kirsten Johnson

  • We never really know what’s around the corner when we’re filming – what turn a story will take, what a character will do or say to surprise us, how the events in the world will impact our story.

    Barbara Kopple

  • Give us adequate images. We lack adequate images. Our civilization does not have adequate images. And I think a civilization is doomed or is going to die out like dinosaurs if it doesn’t develop an adequate language for adequate images.

    Werner Herzog

  • Watching a documentary with people hacking their way through some polar wasteland is merely a visual. Actually trying to deal with cold that can literally kill you is quite a different thing.

    Henry Rollins

  • I believe that we face incredible obstacles in our attempts to see the world. Everything in our nature tries to deny the world around us; to refabricate it in our own image; to reinvent it for our own benefit. And so, it becomes something of a challenge, a task, to recover (or at least attempt to recover) the real world despite all the impediments to that end.

    Errol Morris

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    Every photograph promises more than it delivers and delivers more than it intended.

    Steve Harp

  • Before I became a film major, I was very heavily into social science, I had done a lot of sociology, anthropology, and I was playing in what I call social psychology, which is sort of an offshoot of anthropology/sociology – looking at a culture as a living organism, why it does what it does.

    George Lucas

  • If you want to tell the untold stories, if you want to give voice to the voiceless, you’ve got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you’re dumb and blind.

    Salman Rushdie

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    Reality changes; in order to represent it, modes of representation must change.

    Bertolt Brecht

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    The task for sociology is to come to the help of the individual. We have to be in service of freedom. It is something we have lost sight of.

    Zygmunt Bauman

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    Sometimes one picture is equal to 30 pages of discourse, just as there are things images are completely incapable of communicating.

    William S. Burroughs

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    The function of sociology, as of every science, is to reveal that which is hidden.

    Pierre Bourdieu

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    Visual culture is now the study of how to understand change in a world too enormous to see but vital to imagine.

    Nicholas Mirzoeff

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    One advantage of photography is that it’s visual and can transcend language.

    Lisa Kristine

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    If it’s far away, it’s news, but if it’s close at home, it’s sociology.

    James Reston

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    For any picture, ask yourself what question or questions it might be answering. Since the picture could answer many, questions, we can decide what question we are interested in.

    Howard Becker

  • Photographers learn to interpret photographs in that technical way because they want to understand and use that ‘language’ themselves (just as musicians learn a more technical musical language than the layman needs). Social scientists who want to work with visual materials will have to learn to approach them in this more studious and time-consuming way

    Howard Becker

#Visualsociology

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