2014 Pittsburg

During the days of June 26 – 28, visual scholars and artists from around the world gathered to share their research and network in paper sessions, workshops, film sessions, exhibitions and social events in Pittsburg.

Duquesne University (Pittsburgh, Pennsylvania USA), June 26-28, 2014

The theme for this conference was “Visual dialogues in post-industrial societies: transforming the gaze”.

Post-industrial societies require new forms of visual imagination and research. In this context visual researchers create new ways of capturing and interpreting our constantly transforming social life, and construct alternative epistemologies that dialogue with increasingly broader audiences and disciplines.

View conference program

Previous item || Next item

I believe that we face incredible obstacles in our attempts to see the world. Everything in our nature tries to deny the world around us; to refabricate it in our own image; to reinvent it for our own benefit. And so, it becomes something of a challenge, a task, to recover (or at least attempt to recover) the real world despite all the impediments to that end.

Errol Morris
If it’s far away, it’s news, but if it’s close at home, it’s sociology.

James Reston
Watching a documentary with people hacking their way through some polar wasteland is merely a visual. Actually trying to deal with cold that can literally kill you is quite a different thing.

Henry Rollins
Give us adequate images. We lack adequate images. Our civilization does not have adequate images. And I think a civilization is doomed or is going to die out like dinosaurs if it doesn’t develop an adequate language for adequate images.

Werner Herzog
Photographers learn to interpret photographs in that technical way because they want to understand and use that ‘language’ themselves (just as musicians learn a more technical musical language than the layman needs). Social scientists who want to work with visual materials will have to learn to approach them in this more studious and time-consuming way

Howard Becker
The task for sociology is to come to the help of the individual. We have to be in service of freedom. It is something we have lost sight of.

Zygmunt Bauman
If you want to tell the untold stories, if you want to give voice to the voiceless, you’ve got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you’re dumb and blind.

Salman Rushdie
Sometimes one picture is equal to 30 pages of discourse, just as there are things images are completely incapable of communicating.

William S. Burroughs
Reality changes; in order to represent it, modes of representation must change.

Bertolt Brecht
Reality changes; in order to represent it, modes of representation must change.

Bertolt Brecht
For any picture, ask yourself what question or questions it might be answering. Since the picture could answer many, questions, we can decide what question we are interested in.

Howard Becker
There are dignified stupidities, and there are heroic stupidities, and there is such a thing as stupid stupidities, and that would be a stupid stupidity not to have a camera on board.

Werner Herzog
Visual culture is now the study of how to understand change in a world too enormous to see but vital to imagine.

Nicholas Mirzoeff
One advantage of photography is that it’s visual and can transcend language.

Lisa Kristine
We never really know what’s around the corner when we’re filming – what turn a story will take, what a character will do or say to surprise us, how the events in the world will impact our story.

Barbara Kopple
Before I became a film major, I was very heavily into social science, I had done a lot of sociology, anthropology, and I was playing in what I call social psychology, which is sort of an offshoot of anthropology/sociology – looking at a culture as a living organism, why it does what it does.

George Lucas
The function of sociology, as of every science, is to reveal that which is hidden.

Pierre Bourdieu
You try your hardest to give people their space, but at moments you know you’re capturing their image in ways they may or may not be okay with. It’s that rocking back and forth between respect and betrayal that I feel like is at the heart of the film.

Kirsten Johnson