VISUAL STUDIES AGAINST RACISM COVER IMAGES

Image aligned to the rightThe Visual Studies Editorial Team and the International Visual Sociology Association strongly condemn and oppose systems, institutions, and organisations that maintain or extend any and all forms of white supremacy and colonial and racist violence. As part of our commitment to take action, we recently held an open call for cover image submissions on the theme of Anti-Racism. We received many powerful and thoughtful images, and it was very difficult for the Editorial Team to make a final decision. We are delighted to announce that Olivia Howitt’s “BLM LDN DAY 1, 2020” will feature on the cover of the next issue of Visual Studies.

We are pleased to showcase all submitted Against Racism Cover Images here on the IVSA’s website, along with the short texts submitted by the authors.


All Entries

Olivia Howitt

Olivia Howitt

Yaqoub Bou Aynaya

Yaqoub Bou Aynaya

Vardit Goldner

Vardit Goldner

Tess Baxter

Tess Baxter

Mathieu Hocquelet

Mathieu Hocquelet

Luc Pauwels

Luc Pauwels

Jonna Tolonen

Jonna Tolonen

Gino Canella

Gino Canella

Doug Harper

Doug Harper

Celine Mavrot

Celine Mavrot

Carolina Cambre

Carolina Cambre

Bob White

Bob White

Aaron Deason

Aaron Deason

A.E. Garrison

A.E. Garrison

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    For any picture, ask yourself what question or questions it might be answering. Since the picture could answer many, questions, we can decide what question we are interested in.

    Howard Becker

  • Photographers learn to interpret photographs in that technical way because they want to understand and use that ‘language’ themselves (just as musicians learn a more technical musical language than the layman needs). Social scientists who want to work with visual materials will have to learn to approach them in this more studious and time-consuming way

    Howard Becker

  • If you want to tell the untold stories, if you want to give voice to the voiceless, you’ve got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you’re dumb and blind.

    Salman Rushdie

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    Every photograph promises more than it delivers and delivers more than it intended.

    Steve Harp

  • We never really know what’s around the corner when we’re filming – what turn a story will take, what a character will do or say to surprise us, how the events in the world will impact our story.

    Barbara Kopple

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    Sometimes one picture is equal to 30 pages of discourse, just as there are things images are completely incapable of communicating.

    William S. Burroughs

  • Give us adequate images. We lack adequate images. Our civilization does not have adequate images. And I think a civilization is doomed or is going to die out like dinosaurs if it doesn’t develop an adequate language for adequate images.

    Werner Herzog

  • Watching a documentary with people hacking their way through some polar wasteland is merely a visual. Actually trying to deal with cold that can literally kill you is quite a different thing.

    Henry Rollins

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    There are dignified stupidities, and there are heroic stupidities, and there is such a thing as stupid stupidities, and that would be a stupid stupidity not to have a camera on board.

    Werner Herzog

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    One advantage of photography is that it’s visual and can transcend language.

    Lisa Kristine

  • Before I became a film major, I was very heavily into social science, I had done a lot of sociology, anthropology, and I was playing in what I call social psychology, which is sort of an offshoot of anthropology/sociology – looking at a culture as a living organism, why it does what it does.

    George Lucas

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    The function of sociology, as of every science, is to reveal that which is hidden.

    Pierre Bourdieu

  •  

    The task for sociology is to come to the help of the individual. We have to be in service of freedom. It is something we have lost sight of.

    Zygmunt Bauman

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    Visual culture is now the study of how to understand change in a world too enormous to see but vital to imagine.

    Nicholas Mirzoeff

  • So it is my firm belief, that if you want nowadays, to have a clear and distinct communication of your concepts, you have to use synthetic images, no longer words.

    Vilém Flusser

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    Reality changes; in order to represent it, modes of representation must change.

    Bertolt Brecht

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    If it’s far away, it’s news, but if it’s close at home, it’s sociology.

    James Reston

  • I believe that we face incredible obstacles in our attempts to see the world. Everything in our nature tries to deny the world around us; to refabricate it in our own image; to reinvent it for our own benefit. And so, it becomes something of a challenge, a task, to recover (or at least attempt to recover) the real world despite all the impediments to that end.

    Errol Morris

  • You try your hardest to give people their space, but at moments you know you’re capturing their image in ways they may or may not be okay with. It’s that rocking back and forth between respect and betrayal that I feel like is at the heart of the film.

    Kirsten Johnson

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