Patricia Prieto-Blanco

 
Patricia Prieto-Blanco
IVSA Technology Advisor

I work as a Senior Lecturer at the School of Media, University of Brighton, UK. I teach on the Media Studies, Film and Screen Studies, and, Digital Media, Culture and Society programmes. I am passionate about all things visual, and specially interested in media practices that involve people interacting with/through images.

Visual Research is at the core of my work, as it is co-authoring/co-producing. Most of my work is the result of collaboration, dialogue, and collective experimentation. I approach research as a shared process and I prioritise listening and observing on site, over analytical work on representation(s). It is through this approach that I explore media practices in the contexts of migration, kinship and intimacy. These themes are also present in my “purely” visual work, which some may consider non-academic (e.g. contribution to “Reversality: An artistic investigation into social identities”, published by GMOA and UNHCR.

Apart from my role as IVSA Technology Advisor, I serve in the steering committee of ECREA Visual Cultures, and I am a member of DFG research network “Transformative Bildichkeit: Zum Spannungsfeld von Bild un Gesellschaft”.

    ||    

  •  

    Sometimes one picture is equal to 30 pages of discourse, just as there are things images are completely incapable of communicating.

    William S. Burroughs

  •  

    Visual culture is now the study of how to understand change in a world too enormous to see but vital to imagine.

    Nicholas Mirzoeff

  • Watching a documentary with people hacking their way through some polar wasteland is merely a visual. Actually trying to deal with cold that can literally kill you is quite a different thing.

    Henry Rollins

  • Before I became a film major, I was very heavily into social science, I had done a lot of sociology, anthropology, and I was playing in what I call social psychology, which is sort of an offshoot of anthropology/sociology – looking at a culture as a living organism, why it does what it does.

    George Lucas

  • We never really know what’s around the corner when we’re filming – what turn a story will take, what a character will do or say to surprise us, how the events in the world will impact our story.

    Barbara Kopple

  •  

    For any picture, ask yourself what question or questions it might be answering. Since the picture could answer many, questions, we can decide what question we are interested in.

    Howard Becker

  • You try your hardest to give people their space, but at moments you know you’re capturing their image in ways they may or may not be okay with. It’s that rocking back and forth between respect and betrayal that I feel like is at the heart of the film.

    Kirsten Johnson

  • Photographers learn to interpret photographs in that technical way because they want to understand and use that ‘language’ themselves (just as musicians learn a more technical musical language than the layman needs). Social scientists who want to work with visual materials will have to learn to approach them in this more studious and time-consuming way

    Howard Becker

  •  

    The task for sociology is to come to the help of the individual. We have to be in service of freedom. It is something we have lost sight of.

    Zygmunt Bauman

  •  

    The function of sociology, as of every science, is to reveal that which is hidden.

    Pierre Bourdieu

  •  

    Every photograph promises more than it delivers and delivers more than it intended.

    Steve Harp

  •  

    If it’s far away, it’s news, but if it’s close at home, it’s sociology.

    James Reston

  •  

    Reality changes; in order to represent it, modes of representation must change.

    Bertolt Brecht

  • So it is my firm belief, that if you want nowadays, to have a clear and distinct communication of your concepts, you have to use synthetic images, no longer words.

    Vilém Flusser

  •  

    There are dignified stupidities, and there are heroic stupidities, and there is such a thing as stupid stupidities, and that would be a stupid stupidity not to have a camera on board.

    Werner Herzog

  •  

    One advantage of photography is that it’s visual and can transcend language.

    Lisa Kristine

  • I believe that we face incredible obstacles in our attempts to see the world. Everything in our nature tries to deny the world around us; to refabricate it in our own image; to reinvent it for our own benefit. And so, it becomes something of a challenge, a task, to recover (or at least attempt to recover) the real world despite all the impediments to that end.

    Errol Morris

  • If you want to tell the untold stories, if you want to give voice to the voiceless, you’ve got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you’re dumb and blind.

    Salman Rushdie

  • Give us adequate images. We lack adequate images. Our civilization does not have adequate images. And I think a civilization is doomed or is going to die out like dinosaurs if it doesn’t develop an adequate language for adequate images.

    Werner Herzog

Showcase

#Visualsociology

IVSA

Written on

Remember to #vote #IVSA elects boards members between 23 October and 8 November 2020. Find more info on our website. visualsociology.org #visualsociology #election

Contact us

 
 
 
Become a member