2022 IVSA Awards

We have added the 2022 Awards to the site, it’s wonderful to see the knowledge and creativity within our field and to be able to reward it. Please take some time to read about each winners work.

GINA KIM VISUAL ACTIVISM: ACAR-VA AWARD 2022

Gina Kim’s powerful work has added a new dimension to visual activism in the global context of anticolonial and feminist movements. Her recent virtual reality work, Tearless (2021), is a significant contribution to memory activism and foregrounds issues of ethical representation in the age of immersive media.

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DAVID BORISH: ACAR-PAVR AWARD WINNER 2022

As his body of work illustrates, David is an exceptional storyteller and researcher, able to communicate the complexities of environmental and social issues to a variety of audiences. Through his leadership, the HERD: Inuit Voices on Caribou study was able to document over 80 perspectives about caribou across Labrador, analyse this knowledge through both a qualitative and multimedia approach, and engage community members in an equitable and transparent research process that centred community voices. A variety of outputs, including a feature and short-length documentary film, an interactive website, and a photobook were produced. Six peer-reviewed articles that advance knowledge about caribou and Inuit identity, social connections, food security, emotional wellbeing, cultural continuity, and other dimensions of Inuit life were also co-created.

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JULIE PATARIN-JOSSEC RIEGER AWARD 2022:VISUAL SOCIOLOGY

Julie Patarin-Jossec’s work tests the boundaries of experimental practice and questions disciplinary presuppositions related to the use of photography in sociological research. Julie’s ethnographic portraits result from a long-term ethnography with astronauts, the composition and subject of each photograph is influenced by the immersion of the ethnographer and an additional life story interview with the pictured astronauts.

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JULIA TULKE: PROSSER AWARD 2022 VISUAL METHODOLOGIES

Julia Tulke’s longitudinal Aesthetics of Crisis (AOC) project documents and analyses shifting currents on the walls of Athens. Julia follows Lyman Chaffee’s notion of political street art as a ‘barometer’ by tracing, in real time, newly emerging discourses and events: the austerity referendum and so-called refugee crisis of 2015; the growing visibility of feminist and queer protest and expression since the mid-2010s; dissent with documenta 14; anti-Airbnb and anti-gentrification sentiments; the response to COVID; and, most recently, graffiti removal as the aspirational performance of the end of crisis. Her work demonstrates the value of street art and graffiti as a methodological approach – rather than an object of analysis – able to render visible and sensible gradual changes in a particular urban social, political, and cultural landscape over time.

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    There are dignified stupidities, and there are heroic stupidities, and there is such a thing as stupid stupidities, and that would be a stupid stupidity not to have a camera on board.

    Werner Herzog

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    One advantage of photography is that it’s visual and can transcend language.

    Lisa Kristine

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    Reality changes; in order to represent it, modes of representation must change.

    Bertolt Brecht

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    Sometimes one picture is equal to 30 pages of discourse, just as there are things images are completely incapable of communicating.

    William S. Burroughs

  • Watching a documentary with people hacking their way through some polar wasteland is merely a visual. Actually trying to deal with cold that can literally kill you is quite a different thing.

    Henry Rollins

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    The function of sociology, as of every science, is to reveal that which is hidden.

    Pierre Bourdieu

  • We never really know what’s around the corner when we’re filming – what turn a story will take, what a character will do or say to surprise us, how the events in the world will impact our story.

    Barbara Kopple

  • Give us adequate images. We lack adequate images. Our civilization does not have adequate images. And I think a civilization is doomed or is going to die out like dinosaurs if it doesn’t develop an adequate language for adequate images.

    Werner Herzog

  • Photographers learn to interpret photographs in that technical way because they want to understand and use that ‘language’ themselves (just as musicians learn a more technical musical language than the layman needs). Social scientists who want to work with visual materials will have to learn to approach them in this more studious and time-consuming way

    Howard Becker

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    Every photograph promises more than it delivers and delivers more than it intended.

    Steve Harp

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    For any picture, ask yourself what question or questions it might be answering. Since the picture could answer many, questions, we can decide what question we are interested in.

    Howard Becker

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    The task for sociology is to come to the help of the individual. We have to be in service of freedom. It is something we have lost sight of.

    Zygmunt Bauman

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    If it’s far away, it’s news, but if it’s close at home, it’s sociology.

    James Reston

  • You try your hardest to give people their space, but at moments you know you’re capturing their image in ways they may or may not be okay with. It’s that rocking back and forth between respect and betrayal that I feel like is at the heart of the film.

    Kirsten Johnson

  • So it is my firm belief, that if you want nowadays, to have a clear and distinct communication of your concepts, you have to use synthetic images, no longer words.

    Vilém Flusser

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    Visual culture is now the study of how to understand change in a world too enormous to see but vital to imagine.

    Nicholas Mirzoeff

  • Before I became a film major, I was very heavily into social science, I had done a lot of sociology, anthropology, and I was playing in what I call social psychology, which is sort of an offshoot of anthropology/sociology – looking at a culture as a living organism, why it does what it does.

    George Lucas

  • If you want to tell the untold stories, if you want to give voice to the voiceless, you’ve got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you’re dumb and blind.

    Salman Rushdie

  • I believe that we face incredible obstacles in our attempts to see the world. Everything in our nature tries to deny the world around us; to refabricate it in our own image; to reinvent it for our own benefit. And so, it becomes something of a challenge, a task, to recover (or at least attempt to recover) the real world despite all the impediments to that end.

    Errol Morris

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