Katalin Halasz

Katalin Halasz

IVSA Board Member

I’ve been an active member of IVSA since 2013 when I curated ‘Visualising Affect’, an international art exhibition in the framework of the IVSA 2013 Conference that was held at Goldsmiths, University of London: http://visualisingaffect.weebly.com/

I was awarded a PhD in Visual Sociology in 2019. Currently, I hold a Leverhulme grant at Brunel University London to conduct arts-based research on the affective racialization of national identity in Hungary. I have staged a number of participatory and multimedia performances in the UK, Denmark, Germany, Brazil and Bolivia and curated exhibitions in London. I am on the Editorial Board of Qualitative Research. More on my artful sociological research can be found here: https://www.katalinhalasz.com/

I have contributed to creative methods collections (‘Bloomsbury Handbook of Creative Research Methods’, 2023; ‘How To Do Sociology With …’, Goldsmiths Press, 2023) and am currently writing my first monograph, ‘Artful Sociology’, exploring the affective lived relations and embodied experience of race and gender through artistic research methods.

I will aim to contribute to expanding the use of creative and arts-based research methods by social scientists.

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    If it’s far away, it’s news, but if it’s close at home, it’s sociology.

    James Reston

  • Give us adequate images. We lack adequate images. Our civilization does not have adequate images. And I think a civilization is doomed or is going to die out like dinosaurs if it doesn’t develop an adequate language for adequate images.

    Werner Herzog

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    Sometimes one picture is equal to 30 pages of discourse, just as there are things images are completely incapable of communicating.

    William S. Burroughs

  • I believe that we face incredible obstacles in our attempts to see the world. Everything in our nature tries to deny the world around us; to refabricate it in our own image; to reinvent it for our own benefit. And so, it becomes something of a challenge, a task, to recover (or at least attempt to recover) the real world despite all the impediments to that end.

    Errol Morris

  • So it is my firm belief, that if you want nowadays, to have a clear and distinct communication of your concepts, you have to use synthetic images, no longer words.

    Vilém Flusser

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    The task for sociology is to come to the help of the individual. We have to be in service of freedom. It is something we have lost sight of.

    Zygmunt Bauman

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    Every photograph promises more than it delivers and delivers more than it intended.

    Steve Harp

  • You try your hardest to give people their space, but at moments you know you’re capturing their image in ways they may or may not be okay with. It’s that rocking back and forth between respect and betrayal that I feel like is at the heart of the film.

    Kirsten Johnson

  • If you want to tell the untold stories, if you want to give voice to the voiceless, you’ve got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you’re dumb and blind.

    Salman Rushdie

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    Reality changes; in order to represent it, modes of representation must change.

    Bertolt Brecht

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    For any picture, ask yourself what question or questions it might be answering. Since the picture could answer many, questions, we can decide what question we are interested in.

    Howard Becker

  • Before I became a film major, I was very heavily into social science, I had done a lot of sociology, anthropology, and I was playing in what I call social psychology, which is sort of an offshoot of anthropology/sociology – looking at a culture as a living organism, why it does what it does.

    George Lucas

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    Visual culture is now the study of how to understand change in a world too enormous to see but vital to imagine.

    Nicholas Mirzoeff

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    One advantage of photography is that it’s visual and can transcend language.

    Lisa Kristine

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    The function of sociology, as of every science, is to reveal that which is hidden.

    Pierre Bourdieu

  • Watching a documentary with people hacking their way through some polar wasteland is merely a visual. Actually trying to deal with cold that can literally kill you is quite a different thing.

    Henry Rollins

  • Photographers learn to interpret photographs in that technical way because they want to understand and use that ‘language’ themselves (just as musicians learn a more technical musical language than the layman needs). Social scientists who want to work with visual materials will have to learn to approach them in this more studious and time-consuming way

    Howard Becker

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    There are dignified stupidities, and there are heroic stupidities, and there is such a thing as stupid stupidities, and that would be a stupid stupidity not to have a camera on board.

    Werner Herzog

  • We never really know what’s around the corner when we’re filming – what turn a story will take, what a character will do or say to surprise us, how the events in the world will impact our story.

    Barbara Kopple

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