CALL FOR VISUAL STUDIES CO-EDITOR

Deadline: July 1, 2024

The International Visual Sociology Association (IVSA) and the Visual Studies Editorial Board invite nominations for the position of Co-Editor for a three-year term (July 2024–July, 2027) with the possibility of a three year renewal (July 2027–July, 2030). The new co-editor will be joining a supportive and experienced team of co-editors and will be given ample time to get up to speed.

The candidate should have a record of peer-reviewed publications in the multidisciplinary field of visual studies; institutional affiliation is desirable but not required.

Visual Studies is a leading international peer-reviewed journal published on behalf of the International Visual Sociology Association. The journal publishes visually-oriented articles across a range of disciplines, and represents a long-standing commitment to empirical visual research, studies of visual and material culture, the development of visual research methods and the exploration of visual means of communication about social and cultural worlds.

Working with the other four Co-Editors on the Editorial Board, the Co-Editor will be jointly responsible for the content and character of Visual Studies journal, which is published quarterly. For more on the transdisciplinary character of the journal, see CODA: visual studies now. Visual Studies, 36(3), pp. 272–273.

The Co-Editor assesses submitted articles and sends manuscripts to appropriate expert referees for peer review. They may also provide guidance to authors concerning the form and content of submissions, and they are responsible for making final decisions regarding acceptance or rejection of manuscripts for publication. It is also expected that they actively foster the development of publication ethics. Some practical training on the role of the Co-Editor and on the use of the Scholar One manuscript management system will be provided by the publishers of Visual Studies, Taylor & Francis.

The Co-Editor is expected to attend the Editorial Board’s regular meetings. These occur twice per month.

Candidates should not be currently serving as an active editor of a competitive journal or as a member of the IVSA’s Board of Directors. Editors should not publish their own single-authored work in the journal during the term of service, though they may publish co-authored work. Candidates should have a willingness to conduct outreach activities to promote the journal at the IVSA’s annual conference, allied events, and on the journal’s social media account(s) in collaboration with the IVSA’s Technology Advisor/Social Media Director.

A modest annual stipend to cover editorial costs is paid to the Co-Editor. This is administered by the IVSA. The term includes membership of the IVSA, and Co-Editors take turns (on an annual rotation) to represent Visual Studies as a voting member on the IVSA’s Board of Directors.

Interested applicants should submit a brief CV and a one page cover letter in one PDF document. The letter of application should emphasise the applicant’s vision for the journal’s future strategy, as well as documenting how their experience has prepared them to fulfil the editorial role. Finalists will be invited to interview.

Please use this form to submit your application.

Submit Application

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  •  

    Every photograph promises more than it delivers and delivers more than it intended.

    Steve Harp

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    One advantage of photography is that it’s visual and can transcend language.

    Lisa Kristine

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    The function of sociology, as of every science, is to reveal that which is hidden.

    Pierre Bourdieu

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    Visual culture is now the study of how to understand change in a world too enormous to see but vital to imagine.

    Nicholas Mirzoeff

  •  

    There are dignified stupidities, and there are heroic stupidities, and there is such a thing as stupid stupidities, and that would be a stupid stupidity not to have a camera on board.

    Werner Herzog

  • Before I became a film major, I was very heavily into social science, I had done a lot of sociology, anthropology, and I was playing in what I call social psychology, which is sort of an offshoot of anthropology/sociology – looking at a culture as a living organism, why it does what it does.

    George Lucas

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    If it’s far away, it’s news, but if it’s close at home, it’s sociology.

    James Reston

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    Sometimes one picture is equal to 30 pages of discourse, just as there are things images are completely incapable of communicating.

    William S. Burroughs

  • Give us adequate images. We lack adequate images. Our civilization does not have adequate images. And I think a civilization is doomed or is going to die out like dinosaurs if it doesn’t develop an adequate language for adequate images.

    Werner Herzog

  •  

    The task for sociology is to come to the help of the individual. We have to be in service of freedom. It is something we have lost sight of.

    Zygmunt Bauman

  • You try your hardest to give people their space, but at moments you know you’re capturing their image in ways they may or may not be okay with. It’s that rocking back and forth between respect and betrayal that I feel like is at the heart of the film.

    Kirsten Johnson

  • So it is my firm belief, that if you want nowadays, to have a clear and distinct communication of your concepts, you have to use synthetic images, no longer words.

    Vilém Flusser

  • We never really know what’s around the corner when we’re filming – what turn a story will take, what a character will do or say to surprise us, how the events in the world will impact our story.

    Barbara Kopple

  • If you want to tell the untold stories, if you want to give voice to the voiceless, you’ve got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you’re dumb and blind.

    Salman Rushdie

  • Photographers learn to interpret photographs in that technical way because they want to understand and use that ‘language’ themselves (just as musicians learn a more technical musical language than the layman needs). Social scientists who want to work with visual materials will have to learn to approach them in this more studious and time-consuming way

    Howard Becker

  • I believe that we face incredible obstacles in our attempts to see the world. Everything in our nature tries to deny the world around us; to refabricate it in our own image; to reinvent it for our own benefit. And so, it becomes something of a challenge, a task, to recover (or at least attempt to recover) the real world despite all the impediments to that end.

    Errol Morris

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    Reality changes; in order to represent it, modes of representation must change.

    Bertolt Brecht

  • Watching a documentary with people hacking their way through some polar wasteland is merely a visual. Actually trying to deal with cold that can literally kill you is quite a different thing.

    Henry Rollins

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    For any picture, ask yourself what question or questions it might be answering. Since the picture could answer many, questions, we can decide what question we are interested in.

    Howard Becker

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