This website contains a number of public resources as well as our members resources. IVSA members can submit content to the site from the members area.
People Apart: 1950s Cape Town Revisited. Photographs by Bryan Heseltine offers a rich and fascinating insight into South Africa at the very beginning of the apartheid era through Bryan Heseltine’s previously unpublished photography of the early 1950s.
“Te yo taln ten nanatil lux cuxul sol xchulel ten lumaltic" (1)
In the misty, inhospitable mountains of Chiapas Mexico, the Zapatista rebel army continues to defend its territory from attack. But the government imposed media silence means that no news of their activities, or evidence of their existence reaches the outside world: a strategic cultivation of amnesia. Knowing that if they are forgotten, they will be massacred, the Ejercito Zapatista de Liberacion Nacional (EZLN) or Zapatista National Liberation Army has organized activities to invite researchers, students, artists and activists from around the world to apply for one of their escuelitas (schools of life). Being accepted means an invitation to come and live briefly in the communities but (unlike much ethnographic work) here the community itself sets the agenda and terms, date of entry and departure and all the activities in between.
In the 1970s and 1980s, young activists discovered video as a new medium and used moving images in their struggle for access to cultural expression for the many, not the few. They were researching and developing new forms of independent and participatory media work – an important step towards realizing the utopian promises of the digital age.
After the tragic shooting in Newtown last December that killed twenty children, regulating gun ownership became a topic of hot debate across the country… at least for a while anyway.
‘Rebel Video’ a project previously featured in the IVSA Showcase visits the USA, Canada, and Europe. It’s a book launch event with film screenings and discussion. The aim of the tour is to stimulate discussion about the video movement of the 70s and 80s and its relevance for film/video activism today.
February 21, 2018 is the deadline for submitting nominations and supplementary materials for the Rieger Award Program (for outstanding work by graduate students in visual sociology) and for the Prosser Award Program (for outstanding work by beginning scholars in visual methodologies).