This 42 chapter volume represents the state of the art in visual research. It provides an introduction to the field for a variety of visual researchers: scholars and graduate students in art, sociology, anthropology, communication, education, cultural studies, women’s studies, ethnic studies, global studies and related social science and humanities disciplines.

The way a city looks is, on any given day, both summation and confluence of hundreds of decisions made in the years and decades that preceded it. Across the history of photography, numerous photographers have taken it upon themselves to record the version of the city they experience with the understanding that the the presence of the landscape they take for granted is fleeting and vulnerable to choices made by government officials, developers, business interests, and even city residents who inhabit the sidewalk.

“La sociologie comme elle s’apprend” is the filmic narrative of a learning process—both of a discipline (with its scientific norms, analytic frames and methods) and of critical thinking on the social. Emphasizing the articulation between the international circulation of sociological theories and the localised reality of fieldwork in a provincial town in Russia, this documentary follows Russian students engaged in a French curriculum at the State Universities of Moscow and Saint Petersburg during a week of fieldwork internship. While most of these students never learned sociology or ethnography before, this internship, which is organised every year, is always very intensive. During a full week, we have meetings after meetings to talk about students’ difficulties in the field and help them formulating research questions. My job can also imply joining them in the field to support them and negotiate interviews if needed. And when they come back, late in the evening, after a day of observations and interviews, we talk about their results even if that is in the middle of the night. This is generally a 19/24h mentoring, as exhausting as it is stimulating.

“Graffiti represents (wo)man’s desire to communicate.” [1]

The photograph of a young, female graffiti artist next to a piece of graffiti that reads “Breast Cancer Awareness” is a reflection of a community longing to be heard. The history of breast cancer is one of shame and silence. Although many cases of breast cancer are documented throughout history, it was not until the 20th-century social movements concerning breast cancer that the majority of the public became aware of the severity of this disease.