This website contains a number of public resources as well as our members resources. IVSA members can submit content to the site from the members area.
Graffiti artists at Eurocultured 2007 in Manchester talk about the origins, inspirations and motivations for their work. (First shown at the International Visual Sociology Association Conference, New York University, July 2007.)
“Tech analysts estimate that over six billion emojis are sent each day.” It is safe to say that emojis have a big involvement in the way we visually communicate. Just as all language and communication requires a certain level of translation and interpretation this is also true for emojis. I have a fun story to illustrate how I first became aware of this reality.
Advertisements are important social and cultural documents. A representative sample often reflects a society’s concerns and values as accurately as well-executed surveys do. But how is this possible? How could images designed by people who don’t know, or haven’t talked to, us — and who are completely self-interested to boot – possibly reflect our innermost thoughts and feelings? Figuring out how exercises in persuasion by self-interested advertisers somehow manage to create reliable indicators of public sentiment has puzzled social scientists for a long time. Fortunately, it looks like the new social media may provide a key to solving that puzzle.
Deadline for submissions December 15 2020
This is a call for visual essays focused on the global pandemic and its ongoing social, economic and emotional impact. 2020 has been a year of rapid adjustment internationally, as households around the world were instructed to ‘lockdown’ and to socially distance to reduce the transmission of the COVID-19 virus. This call aims to bring together contemporary visual scholarship on the pandemic in a special section of Visual Studies to be published in 2021.
The Visual Studies Editorial Team and the International Visual Sociology Association strongly condemn and oppose systems, institutions, and organisations that maintain or extend any and all forms of white supremacy and colonial and racist violence. As part of our commitment to take action, we recently held an open call for cover image submissions on the theme of Anti-Racism. We received many powerful and thoughtful images, and it was very difficult for the Editorial Team to make a final decision. We are delighted to announce that Olivia Howitt’s “BLM LDN DAY 1, 2020” will feature on the cover of the next issue of Visual Studies.