I was awarded a PhD in Visual Sociology in 2019. Currently, I hold a Leverhulme grant at Brunel University London to conduct arts-based research on the affective racialization of national identity in Hungary. I have staged a number of participatory and multimedia performances in the UK, Denmark, Germany, Brazil and Bolivia and curated exhibitions in London. I am on the Editorial Board of Qualitative Research.

Greg Scott is a visual sociologist, multimedia artist, and filmmaker at DePaul University in Chicago, IL. He is the founding director of Sawbuck Productions, Inc., a non-profit organization that produces observational documentary films, experimental art films, virtual reality experiences, and large-scale public installation art. He is a co-founder of WILD AMERICAN DOGS, an interdisciplinary art duo focused on producing experimental films and performance, and of the Archive of Midwestern Culture, an institutionally recognized scholarly organization that documents creative life and artistic practice among people living in economically impoverished areas of the rural American Midwest.

I discovered visual sociology at a conference in New York City in 2007 and have been a proud member of the IVSA since this time. I am an associate professor of sociology at the University of Alberta’s liberal arts and science campus, Augustana, which is located in central Alberta, Canada. I teach courses in social theory, visual sociology, sociology of community, media and contemporary culture. I am the editor for ‘Elicitations’, the reviews section of the journal ‘Imaginations: Cross-Cultural Image Studies’.

In taking images, freezing moments, visual methods, as photography, allows us to discover how rich reality truly is. I discovered visual methods at the end of my undergraduate career, through an opportunity to conduct disaster research, and documenting disparities in storm water infrastructure across underprivileged communities…

I am an associate professor of sociology at Ajou University, Suwon, South Korea. My teaching interests include visual sociology, qualitative methods, and sociology of film and media. I have conducted research and written on the themes of film archives, ethics of photographic representation, post/colonial visual culture, and mobilities. My most recent book is Cine-Mobility: Twentieth-Century Transformations in Korea’s Film and Transportation (Harvard University Asia Center, 2022).

Julie Patarin-Jossec is a sociologist by education, a forever field ethnographer, an extreme environment wanderer, and a weirdness enthusiast. After her Ph.D. emphasizing ethnography-based photography and outer space exploration coloniality, Julie started experimenting with filmmaking and photography techniques (including conceptual portraiture, thermal imagery, colour separation and chemical treatment of analog film), which led her to develop original methodologies both within and beyond her academic practice.

I’m a professor at Louisiana State University, a sociologist of science and technology with a primary focus on new communications media and social networks. In 1994, I began my research in Kenya, Ghana, and India where I’ve worked and filmed every summer since then, most recently in the urban slums.

Originally from Italy, I am an anthropologist and painter based in South Australia. Over the last years, I have conducted fieldwork in Australia and Nepal, using experimental visual methodologies, particularly drawing and painting. As an artist and researcher, my aim is to translate social interactions, constructions and paradoxes within a decoding and encoding visual language.

I am an associate professor of Sociology and the coordinator of the LGBT Studies program at Kent State University. I primarily teach in the Master’s program in Criminology & Criminal Justice, where my focus is in Victimology and diversity.

I am a researcher and university lecturer. I hold a PhD in visual sociology from the Center for Art History and Theory at the Ecole des Hautes Etudes en Sciences Sociales, Paris (EHESS), a Masters in Fine Arts from the University of Paris 8 and Master’s degree in teaching English as a Foreign Language (ToEFL).

I am Convenor of the Visual Methods Group and Chair of the Forensic Psychology Research Group at Middlesex University, London. I have a background in ethnomethodology and conversation analysis and a PhD in Social Psychology.

Ernesto Noronha is a visual and work sociologist who extensively uses images in his research and teaching qualitative methods.

I undertake an interdisciplinary practice in academic research and the GLAM (galleries, libraries, archives, and museums) sector, specialising in visual sociology, contemporary art, museology, epistemology, and public history.

I’m associate professor at the University of Evry Paris-Saclay (France), in charge of the Visual and Filmic research focus of the sociological research laboratory (Centre Pierre Naville).

Sabina Andron is a cities scholar specializing in creative and transgressive public cultures, with a specific interest in the semiotics of urban walls and surfaces. Sabina’s research focuses on the surfaces of cities as spatial typologies, by examining their material, visual, and legal dimensions. Her areas of expertise include graffiti and street art, public writing and city signage; urban visual culture and geosemiotics; the right to the city, spatial justice and the urban commons; legal geography and urban property regimes; and deviance, disorder and crime as forms of urban citizenship.

I work as a Lecturer in Digital Media Practice at the Sociology department, Lancaster University, UK. I am passionate about all things visual, and especially interested in media practices that involve people interacting with/through images.